Art in Crisis(Illustrated) W. E. B. Du Bois and the Struggle for African American Identity and Memory by AmyHeleneKirschke Paperback, 296 Pages, Published 2007 by Indiana University Press ISBN-13: 978-0-253-21813-1, ISBN: 0-253-21813-6
"The Crisis was an integral element of the struggle to combat racism in America. As editor of the magazine (1910–1934), W. E. B. Du Bois addressed the important issues facing African Americans. He used the journal as a means of racial uplift, celebrating the joys and hopes of African American culture and life, and as a tool to address the injustices black Americans experienced―the sorrows of persistent discrimination and racial terror, a ..."
"Women artists of the Harlem Renaissance dealt with issues that were unique to both their gender and their race. They experienced racial prejudice, which limited their ability to obtain training and to be taken seriously as working artists. They also encountered prevailing sexism, often an even more serious barrier. Including seventy-two black and white illustrations, this book chronicles the challenges of women artists, who are in some ..."
Protest and Propaganda(1st Edition) W. E. B. Du Bois, the CRISIS, and American History (Volume 1) by AmyHeleneKirschke, Phillip Luke Sinitiere Paperback, 270 Pages, Published 2019 by University Of Missouri ISBN-13: 978-0-8262-2093-6, ISBN: 0-8262-2093-2
"In looking back on his editorship of "Crisis" magazine," " W. E. B. Du Bois said, We condensed more news about Negroes and their problems in a month than most colored papers before this had published in a year. Since its founding by Du Bois in 1910, " Crisis "has been the primary published voice of the NAACP. Born in an age of Jim Crow racism, often strapped for funds, the magazine struggled and endured, all the while providing a forum ..."
"World War I had a profound impact on American art and culture. Nearly every major artist responded to events, whether as official war artists, impassioned observers, or participants on the battlefields. It was the moment when American artists, designers, and illustrators began to consider the importance of their contributions to the wider world and to visually represent the United States' emergent role in modern global politics. World W ..."
"Women artists of the Harlem Renaissance dealt with issues that were unique to both their gender and their race. They experienced racial prejudice, which limited their ability to obtain training and to be taken seriously as working artists. They also encountered prevailing sexism, often an even more serious barrier. Including seventy-two black and white illustrations, this book chronicles the challenges of women artists, who are in some ..."
"In looking back on his editorship of "Crisis" magazine," " W. E. B. Du Bois said, We condensed more news about Negroes and their problems in a month than most colored papers before this had published in a year. Since its founding by Du Bois in 1910, " Crisis "has been the primary published voice of the NAACP. Born in an age of Jim Crow racism, often strapped for funds, the magazine struggled and endured, all the while providing a forum ..."
Aaron Douglas(2nd Edition) Art, Race, and the Harlem Renaissance by AmyHeleneKirschke, Aaron Douglas Paperback, 166 Pages, Published 1995 by University Press Of Mississippi ISBN-13: 978-0-87805-800-6, ISBN: 0-87805-800-1
"Aaron Douglas Aaron Douglas (1899-1979) is the leading visual artist of the Harlem Renaissance, the first African-American to explore modernism and to reflect African art in his paintings, murals, and illustrations. His work is a vivid record both of his achievement and of the distinctive imprint of the Harlem Renaissance upon American culture. This exploration of Douglas's life and career is filled with reproductions of his art. From p ..."
Aaron Douglas(1st Edition) Art, Race, and the Harlem Renaissance by AmyHeleneKirschke, Aaron Douglas Hardcover, 166 Pages, Published 1995 by Univ Pr Of Mississippi ISBN-13: 978-0-87805-775-7, ISBN: 0-87805-775-7
"Aaron Douglas (1899-1979) is the leading visual artist of the Harlem Renaissance, the first African-American to explore modernism and to reflect African art in his paintings, murals, and illustrations. His work is a vivid record both of his achievement and of the distinctive imprint of the Harlem Renaissance upon American culture. This exploration of Douglas's life and career is filled with reproductions of his art. From previously unav ..."
"In paintings, murals, and book illustrations, Aaron Douglas (1899–1979) produced the most powerful visual legacy of the Harlem Renaissance, prompting the philosopher and writer Alain Locke to dub him the “father of Black American art.” Working from a politicized concept of personal identity and a utopian vision of the future, the artist made a lasting impact on American art history and on the nation’s cultural heritage. Douglas’s role, ..."
"White was initially hopeful that Cabin in the Sky, the all-black musical purchased
by MGM for which Horne was offered a ... aware that the white press promoted
Cabin in the Sky and Stormy Weather as “the direct [results] of plainspoken hints
..."
"I would like to thank the exceptional authors of this volume for their important
research, their commitment to our field, and their passion for this topic. I would
also like to thank our copyeditor, Deborah Upton, for her skill, warmth, and
patience during this project. Leila Salisbury has been a pleasure to work with,
and we are grateful for her guidance. Special thanks to my support system,
especially Kindra Clyne, Tom Schwartz, ..."